The Apple TV+ series Physical is a reminder that making people hate their body is a thriving pillar of American commerce.
The Handmaid’s Tale showed the ease with which the unthinkable can become ordinary—a lesson crucial in the age of the Big Lie.
A Brutalist aesthetic. Allusions to autocracy. The early episodes of Marvel’s new series may seem breezy, but its dystopian design hints at more sinister twists ahead.
For more than a decade, the studio’s films and shows have been paragons of careful continuity. So far, Loki does away with that.
In its final season, the FX series exposed the heavy toll of religious stigma for countless queer people—and illuminated the beauty of a different sort of fellowship.
In the HBO show’s finale, the impulses to care and to crime-solve collide. But the miniseries has thoughtfully explored how the two aren’t always mutually exclusive.
The long-awaited reunion special is an uneasy continuation of the sitcom’s easy fantasies.
Two new shows, Amazon’s Solos and Netflix’s Master of None, feature characters desperate for human warmth.
The latest season of Master of None charts the slow demise of a marriage. But if we don’t know what drew a couple together, we can’t empathize with what caused them to split.
The HBO Max series finally gives a stellar performer the kind of role she deserves. It also slyly questions what took TV so long.
Directed by Barry Jenkins, the visually stunning series depicts the landscape—its terrain, its sounds, its emotional significance—with rare complexity.
The Tesla CEO’s SNL performance was neither redemptive nor entertaining. But it served a classic purpose: glossing over his real power.
Ten years after the hit series debuted, television’s reliance on rape culture still feels exploitative.
By the time you understand the billionaire’s motives, you’ve already been trolled.
All season long, The Falcon and the Winter Soldier asked not only what it meant for a Black man to inherit the storied shield—it asked whether the shield was worthy of him.
Mare of Easttown, starring Kate Winslet as a Delaware County detective, is brilliantly specific in its portrayal of a community. More of its peers should follow suit.
American culture is becoming more and more preoccupied with nature. What if all the celebrations of the wild world are actually manifestations of grief?
Cultural portrayals of hoarding tend to invite pity rather than empathy, revulsion rather than self-reflection. A new entrant in the field masterfully refocuses the lens.
More Black storytellers are turning to the horror genre to unpack the traumas of racism. But some viewers are growing tired of these stories.
Television, of late, has been obsessing over technological advances that don’t yet exist—rather than the innovations that are already changing our romantic lives.