Despite the public attention paid to big egos, colleges and universities run on the generosity of the common professor.
The show is about finding out how much your possessions are worth. But it has stayed popular because it values knowledge over money.
The near-perfect show elegantly skewers the subject of free speech on campus.
The mistakes the show made in its attempts to replace Alex Trebek have doubled, for fans, as betrayals.
Hulu’s starry new series Nine Perfect Strangers reminds us how easily human ache can fall prey to the language of transformation.
The wealthy vacationers in the HBO series The White Lotus assume that the world revolves around them. The show ultimately proves them right.
FX’s comedy, about four Native teens coming of age in Oklahoma, draws on familiar storytelling beats but feels completely new.
Flowing dreamlike between pop culture, politics, and psychology, Adam Curtis’s documentaries both complicate and articulate a senseless world.
A new Amazon adaptation of Nancy Mitford’s beloved 1945 novel resists the conventions of costume drama to make a more pointed argument.
Just as concerts return, a new film reveals the cynicism and cultural rot that led to one of the most notorious shows ever.
The hit sitcom Ted Lasso is a witty ode to empathy. Its second season remains warmhearted—and turns the show’s original thesis on its head.
A new Netflix series asks viewers to take an empathetic look at the humans who love felines.
The HBO show Hacks, like several other recent works, explores the particular intimacies of professional relationships—and expands what it means to be a couple.
Mike White’s caustic six-part HBO series, The White Lotus, tackles the stickiest American addiction of all.
The Fox host has a new daytime show, and he’s using it to poison the meaning of patriotism.
New streaming services from Fox and the Weather Channel are betting big on the idea that an armchair meteorologist lives inside each of us.
HBO Max’s reboot of the soapy teen drama is a reminder that overexposure isn’t just the realm of teens anymore.
Take it from a Christian and a critic: The Chosen is as well made and entertaining as many network dramas. But its relative invisibility to secular audiences is no surprise.
Jackie Collins sold half a billion books, taught women to demand power, and told the truth about Hollywood, yet she’s never gotten her due.
On the heels of WandaVision, two new series—Kevin Can F**k Himself and Physical—explore how pop culture can limit the roles that women play in real life.