We’ve Lost the Plot
Our constant need for entertainment has blurred the line between fiction and reality—on television, in American politics, and in our everyday lives.
Our constant need for entertainment has blurred the line between fiction and reality—on television, in American politics, and in our everyday lives.
Everyone wants a happy outcome. But sometimes, the greatest relief is any ending at all.

The Bachelorette promoted Taylor Frankie Paul as a new kind of heroine. Then reality got in the way.

The show, which deeply empathizes with John F. Kennedy Jr. and Carolyn Bessette, is ultimately just a paparazzo by other means.

On Netflix’s hit dating show, stealth misogyny gets its big reveal.

The more turbulent the times, the more tempting it is to [gesture around at everything].

In a short-lived sitcom, he gamely mocked his role in Dawson’s Creek—and found freedom.

What happens when private pain, public compassion, and the risk of exploitation blur

Unpacking the 🍑, the ️🤡, and the 👍

The president may love Les Mis—but he completely misunderstands it.

Trump may lash out at the network. But the two will always make up.
