For decades, the media have chronicled a Hollywood mega-producer’s reputation as a bully—and even praised him for it.
In the ornately violent AMC series Gangs of London, even the pigeons are on cocaine.
For years, The Bachelor has been losing sight of the fantasy that made it so beloved. Now many of its most loyal fans have had enough.
HBO’s six-part Q: Into the Storm turns the conspiracy theory into a rollicking adventure.
The beautifully made HBO/Channel 4 miniseries about gay men in 1980s London can’t help but show the way that tragedies become tropes.
The nation’s politics is in dire need of earnestness. Can its culture meet the moment?
A new docuseries about the molestation allegation against Woody Allen is determinedly focused on making its case, sometimes at the expense of nuance.
The more vulnerable she became, the greater the public’s interest was in watching her disintegrate.
Across decades of Silence of the Lambs sequels and spin-offs, Hannibal Lecter has become a pop-cultural juggernaut. Starling, not so much.
The show may have become less topical lately, but its earnest streak has made room for its cast to shine.
The AMC miniseries sidelines international intrigue to focus on the mundane dread of contamination.
Lupin, the French-language series about a charismatic thief, embraces its source material—and then transcends it.
The best shows of the 45th presidency captured the essence of an unprecedented leader by seeing past his act.
What do Bridgerton, DeuxMoi, and Dickinson have in common? They capture the new appeal of anonymous gossip.
The colorful and joyful ceremony didn’t feel like a crisis-era bureaucratic procedure.
So far, the Disney+ show is telling a story not about an epic struggle to save humanity, but about one woman’s efforts to save herself from her grief.
A new HBO documentary zeroes in on the immense psychological toll it took for the legendary golfer to go from prodigy to phenom.
Emerald Fennell’s debut movie is a revenge thriller explicitly designed to subvert assumptions about femininity and serious works of art.
Viewers didn’t care about “good” or “bad” television this year. Maybe the distinction never mattered.
In 2020, tackling 121 episodes of a single show was no longer as daunting as it once seemed.