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That’s what they look like, at least:

A Jefferson Grid commenter has a theory about those brown and green swirls:

[In contour cultivation] there are these berms that help to prevent runoff and erosion of topsoil into the gullies during heavy rains. This allows for farming on more sloped areas. This section of land was possibly in CRP earlier and has now been converted to production.

The USDA’s Conservation Reserve Program—or CRP—pays farmers to stop using certain plots of land. NPR’s Dan Charles explains:

Farmers offer to enroll their land in the CRP. It has to be land where crops previously grew. If the USDA accepts the offer, the farmer gets paid a fee, roughly equivalent to the rental value of the land, to stop growing crops on it. The USDA gives priority to land where halting cultivation offers environmental benefits: Less erosion of soil, runoff into streams, or valuable habitat for wildlife.

(See all Orbital Views here)

A lucky coincidence happened this weekend—and it’s good news for anyone who likes beautiful pictures from space.

On Friday and Saturday, a textbook blizzard ravaged Washington, D.C., and other major cities of the mid-Atlantic. Visibility was low, cloud cover was complete, and snow piled up to record-breaking amounts. The entire region was dowsed in white. The day that followed was brilliant: sunny, cloudless, and cold enough to preserve the snow.

The Landsat 8 satellite—the most recent spacecraft of the U.S. government’s incredible Landsat program—only passes over each spot on Earth about once every 16 days. By lucky coincidence, its most recent pass over D.C. was Sunday. Snow still blanketed roads, homes, structures; but virtually no clouds obscured the satellite’s view. It was the perfect formula to capture the aftermath of a giant snowstorm:

The Washington Monument can be seen in the dead center, above the Potomac River (NASA / USGS)

You can find the scene in captured in full detail—including Baltimore and other towns in the region—on NASA’s website.

(See all Orbital Views here)

That’s how one commenter describes the latest landscape from Jefferson Grid:

For a quick refresher of Rothko’s work:

A prominent figure among the New York School painters, Mark Rothko moved through many artistic styles until reaching his signature 1950s motif of soft, rectangular forms floating on a stained field of color. Heavily influenced by mythology and philosophy, he was insistent that his art was filled with content, and brimming with ideas. A fierce champion of social revolutionary thought, and the right to self-expression, Rothko also expounded his views in numerous essays and critical reviews.

Highly informed by Nietzsche, Greek mythology, and his Russian-Jewish heritage, Rothko’s art was profoundly imbued with emotional content that he articulated through a range of styles that evolved from figurative to abstract. Rothko’s early figurative work - including landscapes, still lifes, figure studies, and portraits - demonstrated an ability to blend Expressionism and Surrealism. His search for new forms of expression led to his Color Field paintings, which employed shimmering color to convey a sense of spirituality.

Peruse dozens of his paintings here.

(See all Orbital Views here)

#EarthArt Snow art! #YearInSpace #snow #snowday #earth #contrast #art #space #spacestation #iss

A photo posted by Scott Kelly (@stationcdrkelly) on

“It’s like a fractured, monochrome Mondrian artwork,” says one commenter, invoking the work of Dutch painter Piet Mondrian, best known for his paintings featuring clean lines, rectangles, and lots of white, like “Trafalgar Square”:

David Goldman / AP

Nice to look at. But to eat? Caitlin Freeman has you covered: The San Francisco-based pastry chef’s modern art-inspired cookbook, published in 2013, includes a recipe for a ganache-covered cake that looks just like a Mondrian masterpiece.

(See all Orbital Views here)

Cygnus, named for a swan-like constellation, is a NASA spacecraft that carries thousands of pounds of supplies and equipment to the International Space Station. The craft arrived at the orbital station in December aboard an Atlas V rocket—a mix of Russian and American technology manufactured by United Launch Alliance, a private aerospace company.

Here it is approaching the ISS last month:

Happy to accept #Cygnus with an open arm this morning. Look forward to bringing onboard new #ISSCargo. #YearInSpace

A photo posted by Scott Kelly (@stationcdrkelly) on

What a cute little guy.

CNN profiled the Jwaneng Diamond Mine last month:

Nicknamed “the Prince of Mines”, Jwaneng was opened in 1982, as the diamond trade propelled Botswana from one of the poorest countries on earth to one of Africa's wealthiest. The mine's current production output is about 10.6 million carats per year, or just over 2,100 kilos. Today, diamonds make up more than 60% of Botswana's exports, and nearly 25% of its gross domestic product.

Unlike many other countries that are similarly dependent on a single export, Botswana has avoided the “resource curse” of poor governance and slow economic development. By regional standards, its public services are strong, education is free, and corruption is largely in check.

(See all Orbital Views here)

I knew Tim Peake’s Instagram game would be strong:

Peake, a British astronaut who arrived at the ISS last month, will conduct his first-ever spacewalk next week to make some repairs on the orbital station.

(See all Orbital Views here)

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