
The Rise of CliffsNotes Cinema
Oversimplified literary remakes miss the point of the works they are adapting.

Oversimplified literary remakes miss the point of the works they are adapting.

The pop star transformed the normal act of browsing your laptop into something interesting—and unsettling.

With the rise of screen culture, all the world has stage fright.

Years before Mel Robbins published her best-selling self-help book, a struggling writer posted a poem with a similar message.

The long-overlooked activist Audley Moore knew that achieving radical goals sometimes required cooperation and dexterity.

The frontmen are demagogues, the crowds are fanatical, and yet a rugged compassion abides

Confessional outbursts after a failed relationship have a long history—and some people do them better than others.

The film adaptation of Hamnet gives new meaning to “To be, or not to be.”

The director and actor, who died yesterday, built a remarkable career that went far beyond his comic origins.

The director Michael Mann isn’t thought of as a romantic, but the men of Heat, which turns 30 today, are fueled by their relationships.

The show mocked prettily packaged year-end features, such as Spotify “Wrapped,” that spit data collected about consumers back at them.

A poem

James L. Brooks’s Ella McCay is wacky and weird—but it doesn’t quite work.

This year’s most interesting artists invented their own grammar and tunneled in idiosyncratic directions.