
The Rise of CliffsNotes Cinema
Oversimplified literary remakes miss the point of the works they are adapting.

Oversimplified literary remakes miss the point of the works they are adapting.

The pop star transformed the normal act of browsing your laptop into something interesting—and unsettling.

With the rise of screen culture, all the world has stage fright.

Years before Mel Robbins published her best-selling self-help book, a struggling writer posted a poem with a similar message.

A poem

Chaim Grade’s Sons and Daughters rescues a destroyed world.

With Black Bag, Steven Soderbergh makes the case for his own ruthless efficiency.

The film Eephus celebrates the beautiful, blissful anticipation of baseball.

The time I spent working on the Canadian National Railroad changed the course of my life.

The Traitors is part satire, part camp, and pure genius.

Cristina Rivera Garza’s newly translated novel evokes a mixture of numbness and anxiety in the face of incessant violence.

Albert Barnes believed in the liberating power of art—but you had to look at it his way.

In his new film, Mickey 17, the director brings his preoccupation with classism to outer space.

The Palestinian American sitcom is the first of its kind—and takes its humor very seriously.