Michael Peterson refuses to watch The Staircase.
The show finally got satire right ... with the help of Hello Kitty.
David French’s culture picks include Amazon Prime as well as HBO Max hits, and a profoundly meaningful blockbuster art film.
CNN’s Headline News may seem thoroughly old-fashioned now that it’s dead. But its demise is a reminder of the creeping nature of media obsolescence.
A modern generation of animated sitcoms shows a rarity in the genre: well-adjusted fathers.
Lars von Trier’s hospital horror-comedy, back for a third season, is a scathing satire of institutional failure.
The new season of the HBO docuseries The Vow shows how dangerous the human desire for narrative can be.
Former Disney CEO Bob Iger is back at a time when the company desperately needs a new direction.
Shirley Li’s culture picks include Barbarian, Elena Ferrante, and Pokémon Go
In the new FX/Hulu show Fleishman Is in Trouble, the story of a divorce isn’t as straightforward as it seems.
Everywhere you look, there are reasons to be unhappy with your house.
The mercurial Beth Dutton evinces the ruthless clarity of a woman in a man’s world.
Taffy Brodesser-Akner on stress dreams, the beauty of long scenes, and translating her novel, Fleishman Is in Trouble, to the small screen.
In the new Prime Video show Mammals, infidelity is a philosophical conundrum as much as a practical one.
A season about the most salacious era in recent royal history shouldn’t feel so sedate.
Inside Paramount’s Yellowstone juggernaut
In times of hardship, cooking shows can make the case that recipes are sources of not just meals, but also resilience.
The workers on Netflix’s new sitcom are caught, like so many Americans, between a precarious present and an unsteady future.
In the new season of HBO’s The White Lotus, the rich have wandering eyes and intimate desires—and their wallets can satisfy only so much.
The return of the cheery Tom Hanks character let SNL lean into the anarchic comedy of a sketch that makes little sense.