The Game of Thrones spinoff crammed a 19-year family saga into 10 episodes of television—and somehow, it worked brilliantly.
Behind the scenes with Cate Blanchett and Fred Armisen on an esoteric labor of love
Megan Thee Stallion’s charisma brought her sketches to another level—and emphasized the blandness of the rest of the show.
Unlike a lot of recent TV, the show understands that growing up isn’t a choice.
The new series leans less on lightsaber showdowns and more on the messier interactions between good and evil.
Ken Burns’s docuseries The U.S. and the Holocaust confronts a topic that many Americans of every political stripe prefer to avoid: responsibility.
The demand to keep politics out of art is too often a demand for art to conform to conservative politics.
Even the audience in the room couldn’t look away.
Claustrophobes beware.
Too bad the show has squandered it.
The gorgeous family drama takes its time unraveling and honoring the particularities of Black life.
Television this summer has been preoccupied with a timely question: How far will women go when systems fail them?
Amazon’s new TV series is ethereal, expensive, and not all that concerned with an actual plot.
Johnny Depp’s appearance at MTV’s Video Music Awards was at once bizarre and frustratingly predictable.
The best part of Game of Thrones was the palace intrigue, and HBO’s new series embraces that.
A lot of great television slips through the cracks these days.
Sophie Gilbert on intimacy, Game of Thrones, American Pie, and more
In the lavish Game of Thrones prequel, no one is immune to the toxic dynamics of the Targaryen family.
The show’s cancellation is a loss not only for the duo’s avid fans but for television as a whole.
Prestige television is getting very intense.