MTV’s documentary points out some facts about race that might seem obvious until you realize that for many Americans they’re not.
From True Detective to Hannibal, contemporary TV is suffused with elements of the bizarre, surreal, and absurd.
Family sitcoms once embraced the preachy format to teach teens about important social issues, but more subtle, complex storytelling has since taken over.
After last week’s climactic shootout the dream team was dissolved, but a state’s attorney has plans to get the band back together.
The TV industry’s annual awards list recognized some worthy new programming and a more diverse slate of actors.
Denis Leary’s new FX series dates itself with clichéd diatribe about the state of contemporary music, and isn’t helped by its creaky, sexist antihero.
A trip to a lake makes for one of the loveliest TV scenes ever.
A disorienting series of clues led the team to a dramatic face-off outside a Vinci warehouse.
The Showtime drama about two pioneering sex researchers leaps into the mid-60s for its third season.
Highlights from seven days of reading about entertainment
SundanceTV’s Southern Gothic drama is entering its third season of critical acclaim and low ratings, but its against-the-odds existence bodes well for the industry.
The much-loved and much-mocked Discovery TV event is being challenged by Nat Geo Wild—for viewers, for branding, and for sovereignty of the deep.
Wednesday night’s lineup features a fifth season from the engaging double act and a new show from the emerging star, representing the network’s renewed ambition and patience.
Critically acclaimed genre series such as Game of Thrones and True Detective are using bleak self-seriousness to distance themselves from their lowbrow roots.
In the 1970s, Saturday Night Live and National Lampoon helped define groundbreaking, subversive comedy that wasn’t afraid to infuriate its audience.
The show reveals what happened to Ray, while Bezzerides and Woodrugh investigate the mayor, and Frank indulges in some amateur dentistry.
The executive producer of Masterpiece says Jane Austen works a lot better on screen than Hemingway does.
Throughout season three, the Netflix show has fashioned an unmistakeable philosophical thesis: All humankind is fundamentally flawed, but kindness can save us.
The second episode of the new season was a slow burner with a dramatic twist.
TV has convinced America that same-sex couples can be just like straight ones. What’s next?