Her forcing Littlefinger to hear of the violence that she endured was a moment of catharsis—not just for the character, but for the show.
Her patchy Billboard Awards performance is drawing the inevitable flak, but fortunately other artists will get their chances to pay homage.
Three Atlantic staffers discuss “The Door,” the fifth episode of the sixth season.
Many animated series in the U.S. are hand-drawn in South Korea, but the country’s recent transition to digital tools could spur a transformation in American television.
Megyn Kelly’s interview of Donald Trump made it clear once again: The definition of “bullying” has expanded almost to the point of meaninglessness.
The imported British miniseries is both a dazzling six-part spy story and a James Bond audition tape for its star, Tom Hiddleston.
Three Atlantic staffers discuss “Book of the Stranger,” the fourth episode of the sixth season.
The reality show’s emphasis on the survival stories of its contestants reveals how performance can be empowering.
Whether red or white, whether drunk by Alicia Florrick or Olivia Pope, the beverage has become a metaphor for anxieties that are uniquely feminine in their form.
A harrowing new period drama takes its cues from both history and the apocalyptic narratives that populate today’s TV and film.
Three Atlantic staffers discuss ‘Oathbreaker,’ the third episode of the sixth season.
Critics claim the ratings-hungry media is responsible for the rise of his brash, telegenic campaign. History suggests that’s not true.
By handcuffing a new series to its online-only service, the network is trying to catch the next wave of the television industry.
The “surprise” return of a major character in the HBO show’s sixth season won’t hurt the future of small-screen storytelling.
The violent death of a cooing infant suggests the extremes to which the show will go to question the nature of childhood.
Three Atlantic staffers discuss “Home,” the second episode of the sixth season.
The HBO show’s sixth-season premiere taps into a longstanding (and sexist) trope: anxieties about women being something other than they seem.
Three Atlantic staffers discuss “The Red Woman,” the first episode of the sixth season.
The long-running cartoon’s representation of Judaism was one of the first on television.
Now that the HBO blockbuster series has caught up with the George R. R. Martin books on which it’s based, all bets are off.