Donald Glover’s new FX show captures the surrealism and the daily grind of a city in the midst of cultural renaissance.
The Netflix documentary series Chef’s Table: France explores the impulse to create culinary works of genius.
Fifteen years after the PBS show ended, the wisdom and empathy of its host persist in an unexpected place: advice columns.
Samira Wiley joins the third season of the FXX sitcom, which explores the challenge—and humor—of managing depression.
The meaning of HBO’s hypnotic miniseries lay in its characters’ eyes.
The 2016 VMAs gave over long stretches of airtime for pop culture’s 1 percent to flaunt their power—and politics.
On The Late Show With Stephen Colbert, the vice presidential candidate hinted at a culture that’s rethinking family—and masculinity.
The USA show does surprisingly well—thanks to a terrific supporting cast and a break from questions about reality and sanity.
All Stars 2 giddily celebrates the golden age of a brilliantly silly show.
No. But if he joins the new cast, he won’t be the first chastened celebrity to seek forgiveness via the foxtrot.
Competition shows used to revolve around simmering sadism. Recently, though, they’ve gotten noticeably nicer.
Entering its third season, the ’80s-set AMC show portrays the tech world with nuanced, character-driven narratives that its rivals lack.
The HBO miniseries portrays religious hatred as just one ever-multiplying cause and effect of injustice.
Chevrolet’s marketing campaign is the culmination of a truthiness-in-advertising trend.
Chance the Rapper, Sia, and others bring their inspirational A-Games.
At the 2016 Rio Olympics, the antics outside the pool have rivaled the events themselves.
The finale of the Bachelor satire cut away some of the distracting villains of the show, demonstrating that its core appeal remains intact.
Despite its charms, Netflix’s 1980s throwback series errs in how it treats its most important young character.
HBO’s Looking ended with an exploration of what the marital institution means now that it’s open to everyone.
John Oliver enlists Usher, Sheryl Crow, Michael Bolton and others to shame candidates who don’t get permission for music.