Scripted television “really has moved into the consumer actually controlling their experience,” says Hulu CEO Randy Freer.
In its first cold open of the season, the show cast Matt Damon to play the Supreme Court nominee as a raging and whining teenager. But the sketch rang hollow in some ways.
Season 3 keeps the show’s core tenets but quite literally grounds its characters on Earth. Their experiences are all the more immediate and refreshing as a result.
Mr. Inbetween, a new six-part drama on FX, uses the complex-assassin trope to mine the subject of masculinity.
The rhetoric around the Supreme Court nominee pits a “Boy Scout” persona against a “frat guy.” But #MeToo has shown the limits of such labels.
The new Netflix series has a clear, touching message beneath its surreal imagery and frenzied layers of storytelling.
Alec Baldwin is returning to play President Trump for the show’s 44th season, with only one new cast member coming aboard the stalling sketch revue.
In its fifth season, Netflix’s darkly comic animated series follows its protagonist on unexpected journeys to absolution after past misbehavior comes to light. This time, the women in his life have their say.
The gorgeous and poignant new drama from Facebook Watch stars Elizabeth Olsen as a young woman whose husband has died.
Maya Rudolph and Fred Armisen play a couple pondering their relationship in the tragicomic Amazon series.
In simply joking and pontificating about an absent diversity, the awards show missed yet another opportunity to begin reflecting.
The pre-show before the 2018 Emmy Awards seemed to be confused about its own point.
The dual hosts of the TV Academy’s awards looked less than thrilled to be onstage, and even their Saturday Night Live chemistry was lacking.
The past year has proved, over and over again, that TV is defined by misbehavior. Awards shows shouldn’t ignore that fact.
A roundup of all The Atlantic’s best stories to get up to speed in time for TV’s biggest awards show
Beau Willimon’s new Hulu series about a groundbreaking Mars mission, starring Sean Penn, is gorgeous and occasionally insightful.
The show’s fifth season shows how protecting abusive, famous men is a tangled and corrupting process that touches everyone.
Are the singer’s Emmy, Grammy, Oscar, and Tony wins signposts of meaningful change within the entertainment industry or false flags?
The eighth season, Apocalypse, looks to be a dull feat of recycling.
The Television Academy still define shows as comedies or dramas. Creators and networks don’t.