In its third season, the Netflix comedy about women wrestlers takes an odd approach to storytelling.
Julio Torres, the star of the HBO special My Favorite Shapes, brings life to clothing and objects alike: “It feels like my thesis statement is, ‘Everything matters.’”
During the debate it hosted on Tuesday night, the news network made its best effort to convert discussions of policy into the thing it knows best: punditry.
In its final season, Orange Is the New Black faced a conundrum over its most pivotal character.
The HBO feature about a 16-year-old who discovers her assault has gone viral is a stunningly immersive work.
“I didn’t have a specific vision, because I was mostly terrified,” Jenji Kohan said of ending the Netflix series.
The Netflix show all along portrayed the Fab Five as superhuman helpers, but in Season 4 it deepens their images.
Hulu’s revival of the detective drama ends with a curveball that cheapens the arc of one of the show’s most fascinating figures.
Could any show meet the expectations that the HBO series set?
Season 2 failed to give Zoë Kravitz’s character the depth of interrogation and analysis granted to its other stars.
Inside the decision to edit the controversial series
The company is seeing a dip in its American growth for the first time since 2011. What does that mean for the streaming service?
The details of the newly announced mega-service are murky, but it has one huge advantage over Netflix: the streaming rights to Friends.
The Netflix series reimagines the role that a shopping center can play in the lives of American teens—especially for its young female characters.
Game of Thrones dominated a surprisingly open-minded slate of nods that recognized critical favorites.
The show once known for its subtle depictions of trauma is now taking refuge in melodrama.
Hulu's Season 4 is moodier than the original series and less nostalgic than the film revival. But its darker sensibility yields a strangely cynical story.
In a flashback episode, The Handmaid’s Tale tried to explain how one of its characters became a monster. But it missed the most crucial element of her personality.
In his new stand-up special, the comedian celebrates progress—but denigrates the work that progress requires.
Erin Lee Carr’s two-part HBO documentary thoughtfully complicates the narrative of a boy’s suicide, and of the girlfriend who encouraged the act.