The second part of ESPN’s 30 for 30 documentary on the football star delves into a second act that was as carefully stage-managed as it seemed sincere.
With an overwhelming spectacle, the two stars acknowledged that Latin identity is bigger than any one performance.
BoJack Horseman started out as a portrait of a tortured antihero and ended with a close look at the women who made the show so special.
The Good Place, NBC’s sitcom about the afterlife, ended with a heartening meditation on the meaning of a finite existence.
Can moral philosophy teach people to be better? Can a television show?
The Netflix documentary Miss Americana portrays a pop star facing a daunting challenge: redefining success.
After a four-year hiatus, the reality show has a new network and the same fundamentally toxic setup.
The pop star’s first new song since a near-fatal overdose offers no comfort other than the mere fact of its existence.
With its second season, the joyfully eccentric, inventively raunchy Netflix series cements itself as a different sort of teen comedy.
The new anthology series is a refreshing break from the lackluster programming the streaming service has offered thus far.
On the feel-good sitcom, now in its final season, romances signal a more surprising attachment: to home.
The streaming service has turned the star’s controversial e-commerce brand into a series. Soft-lit chaos ensues.
A lawsuit filed by Francesca Gregorini argues that the Apple TV+ series Servant shares eerie similarities with her 2013 film, The Truth About Emanuel.
Two dramas—Dare Me and Spinning Out—follow girls as they juggle their competitive ambitions and interpersonal relationships.
The Outsider, HBO's new 10-part series about an inexplicable murder in a small Georgia town, misses the uncanny intrigue.
A new Star Trek series, an Awkwafina-led comedy, star-studded literary adaptations, and more picks to watch, stream, and DVR
The woman who helped topple Harvey Weinstein talks about what it cost her.
The kickoff to awards season was an evening that oscillated wildly between jovial bonhomie and current crisis.
Netflix’s new fantasy drama—full of elves and magic swords—is cheerfully silly.
The 27 works, moments, and objects that define the best—and worst—of the past decade