As host, the pop star embraced mainstream celebrity. As a singer, she revealed the journey that got her there.
One of the bleakest elements of the show’s satire is that its characters aren’t sure how to distinguish between earning capital and earning affection.
HBO Max’s spin-off revisits the original show’s memorable characters, but they’re fish out of water in 2021.
For one business professor, the show is a cautionary tale.
The year’s most distinct and worthwhile series
An episode chock-full of emotional violence may have ended with real tragedy.
The rise of the attention economy has accelerated our habit of engaging with our hobbies in a data-driven way.
In Succession, the Roys have a lot to celebrate—but very little to feel happy about.
Diners, Drive-Ins and Dives is a mainstay of basic cable—and a rallying cry for a country that is losing touch with itself.
Hawkeye’s normalcy is what makes him interesting.
The only real relationship on Succession is a marriage entirely corrupted by the family business.
Why is television using old settings to tell modern stories lately?
The charm of the original Cowboy Bebop—and many other Japanese animated series—is not just in its style but in its storytelling.
Logan Roy has a UTI. But as the show’s old men decline in health, they grow only more ruthless.
The singer’s 10-minute performance of “All Too Well” was a dazzling reminder of how far she has come as an artist.
In the world of Succession, eloquence is a sign of complicity. Greg, a malapropism incarnate, is the exception that proves the rule.
On the show, at least, Donald Trump is back.
Television wants to help us get better at talking about sex, but some of its recent offerings miss a crucial point.
In the HBO show, wealth traps. Its sad, desperate protagonist is the only one with the possibility of escape.
How a genre premised on artifice got obsessed with disguise