Ten Percent, a remake of the popular French series Call My Agent, is a surprisingly tender ode to acting.
The days of seemingly unlimited new content from the streamer appear to be ending.
The First Lady tries to honor three underappreciated political spouses. Instead, it blends their life stories and reduces them all.
The show’s second season is more audacious, but also harder to bear.
The show has evolved into a valuable institution—even if some viewers are sick of it.
Several recent Black shows have leaned into glitzy melodrama and decadent escapism. They also feel completely out of step with their core audience.
The show’s repeated parodies of the video-sharing app might be viewed as attempts at currency. Instead, they come off a bit like jealousy.
Jerrod Carmichael’s HBO special exposes the way that humor can relieve incredible tension while obscuring the truth.
Better Call Saul is dazzling, and frustrating.
The late comedian helped move stand-up beyond the realm of the merely observational and create space for the absurd.
Our Flag Means Death features a queer love story, but many viewers still found themselves wondering if they were just imagining it.
A new HBO show about Julia Child explores the virtues of ambition—whatever the age.
Revisiting Volodymyr Zelensky’s comedy through the eyes of America—and the world—today
Why a pretaped message from the Ukrainian president aired during a night of escapist entertainment
The Oscars Slap was low-hanging comedic fruit, and the show lunged at it. But there was nothing left to say.
It’s all too easy to forget the victims and glamorize the grifter.
What followed an unprecedented moment of violence was almost as surreal as the incident itself.
On the most shocking moment in Academy Awards history
The show’s long-awaited third season revisits the idea that race is a performance, one as horrifying as it is hilarious.
Abbott Elementary and Minx both follow ambitious women leaders who don’t subscribe to the girlboss myth.