
Finally, a Film That Understands Social Media
The surreal, refreshing Zola posits that we use our digital personas to fool ourselves as much as to fool others.

The surreal, refreshing Zola posits that we use our digital personas to fool ourselves as much as to fool others.

With F9, the Fast and Furious franchise shows it still knows how to entertain. But it has never pulled more from the Looney Tunes playbook.

And how The Mandalorian can restore the true power of George Lucas’s galaxy

Reconsidering the meaning of Maverick

In the new musical, restless young adults are torn between a beloved neighborhood and dreams of escape. But Abuela Claudia, the community’s matriarch, suggests a different way of thinking.

Jon M. Chu, the director of In the Heights and Wicked, is finding a new edge in an old genre.

Here are 32 new films to see this season, whether you’re ready to return to theaters or want to stay on the couch.

The new Disney film could have embraced villainy, in all its complications. Instead, it opts for a cheaper sort of sympathy.

In the new Saw movie, Chris Rock pivots from comedy to torture porn disguised as political commentary.

She’s always been an A-lister. But her new film, Those Who Wish Me Dead, reflects Hollywood’s impulse to stifle female action heroes once they hit a certain age.