
Imagining a Black Wonder Woman
Growing up, I was told my favorite comic-book heroine was white. And yet her struggles always seemed uniquely similar to my own.
From Battleship to Barbie, how culture for young consumers shapes the identities they construct

Growing up, I was told my favorite comic-book heroine was white. And yet her struggles always seemed uniquely similar to my own.

When the film debuted 15 years ago, it taught me that shaping a hybrid identity could be a beautiful, inventive, and at times lonely experience.

The famed Japanese animator and director created heroines who defied feminine stereotypes and showed me how to be at home in my own skin.

In the aftermath of 9/11, the young-adult historical fiction series showed me how people move forward after earth-shattering moments.

The children’s series inspired its young audience to appreciate the mysteries and power of language.

Jim Henson’s 1986 film understands at its core that youth is full of mystery, tricks, and danger.

Laura Ingalls Wilder’s popular book series championed emotional restraint—an approach I’ve come to both question and appreciate in adulthood.

Decades before the outcry against the Ghostbusters remake, a 1980s kids show tried—and failed—to subvert male-centric stories.

It has partly to do with a dearth of women behind the scenes, changing audience tastes, and an evolving industry.

The scrappy Belgian reporter was my childhood hero. Reading his books as an adult is a little more complicated.