The new season moves in a quicker, more dynamic way, but viewers have seen the show disappoint on early momentum before.
Titles like Big, Rush Hour, and Minority Report are in small-screen production, but they may not be the safe bets that Hollywood hopes they are.
He'll be fine. But it's hard to be excited about a guy who has already led six major awards ceremonies.
The actor who played Sex and the City's Mr. Big has joined an old, ugly tradition: slut shaming.
A conversation with Dan Mintz, the comic who plays Tina on Bob's Burgers and writes for Nathan for You and Mulaney
TV deserves a better female antihero.
The beginning of the week is the best time of the week for heavy, quality drama thanks to economics, viewer psychology, and the "conversation cycle."
American Horror Story: Freak Show caps off centuries of suspicion towards Bozo & co.
Old-fashioned networks, not buzzy cable channels, are producing more boundary-breaking heroines like Viola Davis's character on ABC's How to Get Away With Murder. Why?
Just like all the show's other fans, the network's executives want answers.
Showtime's reboot might be a typical Hollywood money grab, but the return of the series' creators is a good sign that the new episodes could be as freaky as the previous ones.
The new sitcom from an SNL writer has been panned as formulaic. Are critics missing the joke?
Over the past 15 years, The Food Network has made big profits by turning the kitchen into an ever-more-stressful place.
ABC's new sitcom revives the century-old tale of a man telling a woman how to behave. Hopefully, it subverts it.
Gilmore Girls offered something too rare in pop culture: a deep platonic female relationship that didn't come prepackaged, but instead developed in front of viewers' eyes.
Fox's new series shouldn't win any awards for storytelling or originality, but it does have the best-looking criminally besieged city in the the Dark Knight canon yet.
A writer for Amazon's Transparent describes her own struggles with gender identity and storytelling, and the show's responsibility to portray transgender people in their fullness.
Business smarts and broader social change have encouraged Netflix and Amazon to offer complex portrayals of long-marginalized people.
This fall's two new shows with primarily black casts don't change the reality that "black TV" has gone mostly extinct.
The linguistic complement to "transgender" has achieved some popularity, but faces social and political obstacles to dictionary coronation.