Thank goodness for Molly Shannon.
In Netflix’s Beef, Ali Wong is the antiheroine TV deserves.
Where would the school—or the show—be without Mr. Johnson?
What happens when stories start to break down in the face of relentless human failure?
What a night inside the world’s saddest karaoke room revealed about the Roys
Donald Glover’s twisted new show, Swarm, hints that our biggest stars fear their own fans.
In the premiere of its fourth and final season, the HBO show offered familiar beats but also a hint of a new direction.
In the show’s second season, bonds formed in adolescence continue to bless and poison the present.
In the show’s third season, everyone but Ted is on edge.
Lady Gaga’s minimalist rendition of “Hold My Hand” stood out even in a night of unpredictable musical moments.
In snapping back to faithfulness to the original video game, the show reminded us of its limits.
We don’t quite live in the country the show depicts. But, in an odd way, we should wish to.
In a new Netflix special, the comedian finally let loose about Will Smith. The moment was fascinating, angry, and raw.
The sketch show’s latest parody of emotionally distant men had a surprising amount of heart.
The Nobel Prize–winning author’s work has long had a symbiotic relationship with cinema. His Oscar-nominated film, Living, is the logical next step.
How could a show about a chart-topping band care so little about the making of their music?
Taskmaster reveals both the inanity of our daily obligations and the joy that we can find in them.
Even as the show moves through a new postapocalyptic reality, it keeps a close eye on what’s been lost.
What we lose when intimacy gets added in postproduction
In AppleTV+’s new dramedy Hello Tomorrow!, set in a retro-futuristic society, everything shiny is useless.