The comedian has created a refreshingly personal way to buy tickets to his next round of shows.
Children's cable was once dominated by stories about everyday kids. Now it's saturated with shows about wannabe celebrities.
Sorkin's fans defend 'The Newsroom' by saying critics are too dumb to understand it. Are they right?
FX's decision to air "Louie" and "Anger Management" on the same night only highlights the dramatic difference in quality between the two shows.
Series that perfected the art of meta television
Why his new FX show, "Anger Management," will probably be a hit.
Rounding up reaction to the controversial HBO series
Aaron Sorkin's new show is unpleasant, heavy-handed, and often inaccurate.
Executive producer David X. Cohen describes how the Comedy Central show goes from idea to finished product.
How television is struggling—and often succeeding—at becoming a mature literary form
Why so many women tune in to watch brides-to-be pick out their wedding gowns
The discussion about Lena Dunham's comedy is more varied and sophisticated than cultural conversations of 20 years ago.
Ten women who can play an impressively wide range of characters, from Julia Louis-Dreyfus to Connie Britton
For a show about advertising, it's been remarkably difficult to promote.
A look at the most compelling musical anachronisms on a show that's usually obsessed with historical accuracy
Ostensibly about vampires and werewolves, the HBO series paints a complex, historically sensitive portrait of rural Louisiana.
The new show is a refreshing antidote to Hollywood's fraught relationship with disabled actors.
Charlie Sheen, Aaron Sorkin, and "Dallas" return; Sigourney Weaver makes her TV debut; and more
On the season finale, the characters struggle to conceal who they really are.
The HBO show is a valuable artifact from the post-9/11, pre-social media revolution era.