Our roundtable discusses "Granite State," the seventh episode in the AMC show's final half-season.
Nickelodeon's series, which just returned for its second season, is a cartoon with commentary.
The Fox series' creator and star says her character will be more likable this season, and that's a loss for viewers who want to see more three-dimensional women on sitcoms.
Comparing the HBO series' depictions of last year's presidential race in its season finale to what really happened
Our roundtable discusses "Ozymandias," the sixth episode in the AMC show's final half-season.
The Bard would close things happily for Albuquerque, which means horribly for Walt & co.
Comparing the HBO series' depictions of last year's presidential race to what really happened
Well, that was intense. Our roundtable discusses "To'hajiilee," the fifth episode in the AMC show's final half-season.
Sam Catlin, the writer of last Sunday's episode, discusses the "agonizing decisions" that took a month to plot.
Terrorists, zombies, and one very famous, long-anonymous mother are all coming to the small screen this season.
And is the show moving too fast for its own good? Our roundtable discusses "Rabid Dog," the fourth episode in the AMC show's final half-season.
Comparing the HBO series' depictions of the investigative reports on "Operation Genoa" and the attacks on the U.S. consulate in Benghazi to what really happened
And has Walt always been Heisenberg? Our roundtable discusses "Confessions," the third episode in the AMC show's final half-season.
Comparing the HBO series' depictions of Mitt Romney's campaign staff gaffes and the investigative reports on "Operation Genoa" to what really happened
Our roundtable discusses "Buried," the second episode in the AMC show's final half-season.
Comparing the HBO series' depictions of Tyler Clementi's suicide, the Trayvon Martin shooting, and Rush Limbaugh's comments about contraception to what really happened
Our roundtable discusses "Blood Money," the first episode in the AMC show's final half-season.
When Walter White and those around him feel forced to do the "wrong" thing, many in the military and veteran community understand all too well the lingering effects.
The show's mythology allows its hero to change gender and race, but its showrunner passed on tackling its history of sexism—and on getting a much-needed new energy.
Reading the scholarly literature on television's changing portrayals of alcohol use