Think of it as a ghost story.
With months to go before the election, the show is running out of things to say about Donald Trump.
Stunt work doesn’t have its own category at the Oscars. Here’s why that should change.
The new Hulu film about an atrocious moment in ’90s television is shocking, but revelatory.
The hit Netflix show appeals to many of our worst instincts as viewers.
His true gift lies in his combination of an entertainer’s desperate desire to be liked and an antagonistic streak.
Maya Rudolph’s return to the show proved why she’s so beloved.
The comedian wants you to know everything about his life, but sheer voyeurism is only so revealing.
An awkward, unfunny cold open fails to meet the moment.
In the 21st century, you are who you pretend to be. It’s a world Tom Ripley was made for.
A new series about the “dark underbelly” of kids’ TV raises crucial questions about abuse in Hollywood. But it doesn’t go far enough.
The third-season episode “The Sign” seems to point to an ending of sorts for the hugely popular Disney show.
The small screen is offering up heroes who are resolutely alienated, driven to acts of violence that they don’t want to inflict and can’t enjoy.
On Saturday Night Live, Ryan Gosling confronted his love for the character he made—and who will define him forever.
Curb Your Enthusiasm ended in the most fitting way possible: not with a bang, but with a shrug.
On Curb Your Enthusiasm, anything can happen when Larry David walks into a restaurant.
In adapting a sweeping and cerebral trilogy for TV, the new show forgets one of the original story’s biggest themes.
Like much of America, the media mogul is feeling the cultural impact of the Ozempic era.
FX’s Feud showed how attention can be wielded to comfort—and to wound.
As the show has gotten more popular, it hasn’t abandoned its distinct regional humor.