Drugs turned a superstar into a joke. Only in death did she become a superstar again.
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Both in its tributes to Whitney Houston and its performances, the Grammys made its futile annual bid for respectability.
Maybe my adolescent self was wrong about Whitney Houston
At her height, her power and reach was the stuff of royalty.
The 'I Will Always Love You' singer was 48.
Predicting what will happen at Sunday's awards show.
The legendary songwriter premieres a plainspoken meditation on age.
The rapper's nominations for Sunday's ceremony show how screwed up the Recording Academy's priorities are.
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His influence today proves his greatness, but Jackson's art still doesn't get the full respect it deserves.
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The turntable, invented 36 years ago, ranks as the most recently created music-making device with staying power.
Tony Rice's new 'The Bill Monroe Collection' shows how the music style Monroe invented endures.
Even M.I.A.'s bad vibes couldn't tamp down the campy joy on stage Sunday.
The preservationist understood just how fragile America's folk musical traditions are.
The lawsuit against Newt from the "Eye of the Tiger" songwriter is the latest in a long tradition.
'Born to Die' is a bona fide guilty pleasure: fascinating but espousing something ugly.
Wonder Girls may have the marketing strategy to succeed in America where other Asian acts have failed.
The "R&B Jesus" returns—hopefully to fill the gaping void he left 11 years ago.