The album was conceived in the milieu of Timothy Leary, recorded with session musicians fresh off commercial-jingle gigs, and only gradually recognized as something like magic.
Jack White and Julian Casablancas once championed stripped-down sounds, but their new albums are shaggy and strange.
The excellent documentary Matangi/Maya/M.I.A. clarifies what the controversial pop star was fighting for all along.
The rapper’s No. 1 album suggests that being accused of terrible things, even now, is no obstacle to fame.
While aging rock stars attack the standard corporate villains, Donald Glover’s FX show sketches an ecosystem of exploitation.
“There’s something therapeutic in looking at the apocalypse and laughing,” Colin Meloy says of the band’s I’ll Be Your Girl.
Mount Eerie's second grief-stricken album in a year is about “the transition from a living person into a memory,” its creator says.
ABC has brought back the recently canceled Fox franchise, with Katy Perry rather than Simon Cowell anchoring the eerily upbeat affair.
American Utopia from the Talking Heads mastermind tunefully renders the familiar as strange and new.
Joan As Police Woman’s new record embodies a message that runs through all of her work: Embracing joy can be transgressive.
The short film for the song “All the Stars” embraces African imagery in a way not widely seen in hip hop or R&B since the ’80s and ’90s.
Scott Aukerman and Adam Scott’s newly launched R U Talkin’ R.E.M. Re: Me? is as hilarious, passionate, and tangent-filled as their other work in the medium.
A 13-year-old guitar shredder and a South Korean metal band were the highlights of a thrilling Olympic finale.
The rapper’s charming “God’s Plan” video shows him donating a million dollars around Miami—and earning something for himself.
What the artist's early singles—made before she was famous, and newly released—reveal about the legend she'd become
The ideological conflict in Black Panther animates not only Kendrick Lamar’s soundtrack for the movie, but also the artist’s whole ethos.
Two Atlantic writers discuss the new album, Crooked Shadows, and how the band’s sound has evolved since its eight-year hiatus.
The Tonight Show host followed the Super Bowl with a Bob Dylan rewrite touching on #MeToo, fake news, and Colin Kaepernick.
The pop star’s underachievement came off all the weaker with a tribute to the perfectionist Prince.
The best Grammys moment fused “Soul Train + Cuban + New African dance styles + ’70s disco + Bob Fosse,” director Philippa Price says.