Political art that outlasts its times needs more than just a powerful message.
The genre’s sound, sentiments, and politics all aim for the same connection.
The responses to the Brooklyn Nine-Nine actor’s personal testimony in D.C. in support of a sexual-assault bill reveal the persistence of narrow definitions of manhood.
K.T.S.E., the new record from the most prominent female artist on Kanye West–fronted G.O.O.D. Music’s roster, buzzes with promise despite recent controversies stirred up by West, Pusha T, and Nas.
In their recently released music video and collaborative album, the Carters show just how much their dynamic as a couple has evolved.
The rock band’s Bad Witch completes a trilogy of terse, inventive, post-Trump blasts of rage.
The rapper’s new album, Post Traumatic, insists that the music go on, nearly one year after the death of his Linkin Park bandmate Chester Bennington.
The rapper, who died at 20, was a tragic hero to some young fans and artists, even while allegations of violence piled up against him.
The Carters’ surprise collaborative album, Everything Is Love, insists that past grievances are buried. Will the Beyhive feel the same way?
With Everything Is Love, pop’s biggest couple celebrates itself—and its significance to America.
On the highlights of two recent albums—Ye and Kids See Ghosts—the rapper reaches across genres to redefine “freedom” again and again.
The experimental musician’s powerful debut album, Soil, blends gospel and the gothic.
The singer, who died at 88, was a founding member of the Blind Boys of Alabama, and embodied the vicissitudes of a decades-long career in music.
The company’s quickly abandoned stance against misbehavior is a sign that the record industry still doesn’t want to police the ethics of its stars.
On Ye, the album he premiered Thursday night, the rapper speaks of his daughters (and wife) with a disturbingly voyeuristic tone.
Amid a few gripping moments, the rapper’s eighth album all-too-briefly glances at politics and mental health.
Four Atlantic staffers discuss hip-hop’s vicious and messy brawl of the moment and how the art of the diss track has evolved.
Sorry, Drake.
Steven Hyden’s book Twilight of the Gods argues that the appeal of the now-dwindling Baby Boomer guitar gods was only ever personal.
The rapper insisting that a photo of Whitney Houston’s bathroom be the cover art for Pusha T’s Daytona is a clear betrayal of his rhetoric about compassion.