A new documentary explores the original organizers’ ingenuity and naïveté, revealing the exact reason the concert is unreproducible.
The Big Day, the artist’s latest album, doesn’t just describe his happily-ever-after life: It evangelizes it.
The viral music video for “No Guidance” signals the end of a beef between the two men, even as it papers over past misbehavior.
The rapper’s supporters see a story of racism. The president sees a story about immigration.
With a new album, a solo track on Beyoncé’s Lion King compilation, and a global fan base, Burna Boy is pushing the limits imposed on artists from the continent.
The Gift, a companion album for the rebooted Disney film, sees the superstar connecting to “something way bigger.” What is it?
A bluesy, atmospheric piece that the band improvised live on the air during the Apollo 11 mission deserves to be more than a footnote of musical history.
The singer’s musical accompaniment for the new CGI remake neglects to include any artists from the region that inspired the film—a curious lapse in narrative fidelity.
The Korean pop superstars’ devoted following and chart-topping success have won them comparisons to the Beatles. Why was I surprised to get swept up in their magic?
The strummer’s No. 6 Collaborations Project reveals the blend of sentimentality, humblebragging, and hip-hop swiping that has powered his success.
With a new version of “Higher Love,” the EDM star Kygo reworks a 1990 Whitney Houston vocal into a pool-party jam both of its time and out of it.
A graphic depiction of violence has served mostly to offend survivors of such violence.
The artist’s open letter about the sale of her former record label portrays a business matter as a story of bullying and virtue—and others involved have used similarly moralizing rhetoric.
The subconscious is an overdone subject, but the Radiohead singer’s sleep-focused solo album, Anima, is packed with fresh, freaky ideas.
In the fantastical Yesterday, the only person in the world who remembers the Fab Four takes the band’s music as his own. How the film reimagines an iconic oeuvre through a single voice.
The great dance band’s seventh album, A Bath Full of Ecstasy, delivers pleasure while questioning it.
Titus Andronicus’s An Obelisk roars against society, but the front man Patrick Stickles explains that it also represents a journey of self-understanding.
The singer’s pro-gay single strangely compares her struggles with fame to more dangerous kinds of persecution.
The pianist, singer, and songwriter—who died Thursday, at 77—straddled camp and tradition, authenticity and commercialism.
“Rachel, Jack and Ashley Too” simplifies thorny questions about fandom and taste with a familiar story of rebellion.