
The Darkest Movie of the Year
Even the camera seems to fear the grunting, shadowy demon in Nosferatu.

Even the camera seems to fear the grunting, shadowy demon in Nosferatu.

The protagonists of Babygirl and Black Doves are stuck in their “perfect” lives—and find illicit fulfillment outside them.

Mufasa: The Lion King, from the Moonlight director, doesn’t transcend its cynical origins as a Disney product.

A hit animated film is the latest work to imbue machines with the primacy of human values.

His identity was a performance. His writing was sleight of hand. He bamboozled his own audience.

RaMell Ross’s interpretation of Colson Whitehead’s novel is unlike anything else in theaters.

Another year of existential crisis for Hollywood, and an excellent year for cinema itself

The Seed of the Sacred Fig transforms from a quiet drama into a harrowing thriller.

Blink Twice anticipated the culture shift that defined the year.

Wicked makes the case that audiences aren’t so tired of the genre after all.