The Richard Linklater Movie That Serves as a Warning
His 2011 film, Bernie, understands the dangers of despising people who are not like you.
Film
This Is Going to Be a Weird Summer for Movies
Don’t expect another Barbenheimer.
The Slasher Movie Reaches Disturbing New Heights
In a Violent Nature might seem like a purely aesthetic exercise. But its experimentation elevates an all-too-familiar genre.
What Can’t Glen Powell Do?
The actor proves he’s so much more than a strapping hunk in Richard Linklater’s Hit Man.
What’s Really Epic About Furiosa
The Mad Max prequel is an emotional odyssey.
Can a ’90s Cult Classic Save the Comic-Book Movie?
The engrossing darkness of The Crow
How Hollywood Fell Short for the Fall Guys
Stunt work doesn’t have its own category at the Oscars. Here’s why that should change.
A Raunchy Comedy About … Pregnancy?
Babes isn’t perfect, but its refreshing candor still feels like an R-rated public service.
The Cruel Social Experiment of Reality TV
The new Hulu film about an atrocious moment in ’90s television is shocking, but revelatory.
How Do You Make a Genuinely Weird Mainstream Movie?
Jane Schoenbrun, the director of the unsettling new film I Saw the TV Glow, has some ideas.